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“unknown” (2011)

4 Apr

 
Liam Neeson stars as Dr. Martin Harris in director Jaume Collet-Serra’s high-octane action thriller “Unknown”. Martin Harris and his wife (January Jones) have just arrived in Berlin for a biotech conference and upon departing the airport Dr. Harris accidentally leaves his briefcase behind at the airport. However, it is not until he arrives at the hotel that he comes to this realization. Rather than tell his wife, who is left behind checking into their hotel room, Dr. Harris hastily decides to get into a cab and retrieve the briefcase. Little does he know, but chaos is about to rear its ugly head. The cab that Dr. Harris is in swerves off the road and crashes
into an icy river. However, thanks to a herculean effort by his Bosnian cab driver (Diane Kruger), an unconscious Martin Harris is rescued and salvaged from meeting a grim fate. Unfortunately Martin Harris’ troubles are only beginning. After
awaking from a 4-day coma he finds that no one knows who he is, not even his wife and so the mystery ensues to find out what exactly has happened to his identity and why on earth another man is claiming to be Martin Harris and married to his wife.

Jaume Collet-Serra’s “Unknown” has a very strong premise that unravels quickly.  For the first half of the movie there is a lot to like. There is a taut thriller atmosphere with good action sequences but it isn’t long before the absurd sets in, and you’re just left wondering where did things go so wrong. This film has been hyped on the foundation that this is a suspense thriller with a big twist. However,
the 180 that takes place in this film is nothing more than a tacky
gimmick that just adds on to the ludicrousness. For the first part of the film Collet-Serra does a great job of telling the story from
Marvin Harris’ point of view and only letting us know what he knows. We are kept in the dark as much as he is, and there is that
old-fashioned mysterious Hitchcock-like feel, that really absorbs the audience. Regrettably the story becomes way too commonplace and that mystifying ambiance disintegrates quickly. Once the plot twist reveals itself, it’s officially time to shut your brain off and realize that the movie has become just another generic action flick with little regard for details. That’s what separates an Alfred Hitchcock from a Jaume Collet-Serra, the ability to have every moment of the film have some sort of significance and for the viewer to put on their detective caps and feel like they are solving the mystery along with the protagonist.

“I suppose if I had suggested Liam Neeson Day, you’d all be patting me on the back,” -  George Costanza 1994. When you’re being mentioned on Seinfeld, and there is a talk of having a promotional event at Yankee Stadium named after you, you know you’re a big deal. However this is 2011 and that big deal status has come and gone for Liam Neeson. Nowadays the hulking, middle-aged, Neeson resembles more of a Robert Barone with better hair and a cooler accent.  Yet don’t tell that to the casting directors of “Unknown”, because apparently they still think it’s the 90’s and Neeson is still king. However, “Unknown” shows us that this is not the case. Watching Liam Neeson in “Unknown” was like watching Brett Favre with the Vikings this past season. Both looked like past their prime stars who were just trying to do something that just wasn’t working anymore. Neeson was trying to regain that magic that worked so well for him in “Taken”, but it was not to be found. Instead of being inspired by our “Unknown” protagonist, we couldn’t help but to pity Neeson for trying to play
this superhero, do-it-all man. Neeson’s performance lacks the
captivating suaveness of a Cary Grant and the reassuring poise of a Jimmy Stewart. He tackles this role with a 24/7 sense of urgency that just makes it look to the audience like he’s trying too hard. Aside from Neeson’s subpar performance, January Jones is probably the biggest disappointment that this film has to offer. She has very few
lines and the lines she does have, just aren’t performed very well.
The “Mad Men” star leaves much to be desired and one has to wonder whether she has what it takes to reach leading lady status on the big screen.  That being said, a major bright spot in this film was the presence of Frank Langella, who despite being severely underutilized, shines as a cold-hearted no-nonsense enforcer.

All in all this is a pretty run of the mill action movie that hardly
leaves a lasting impression on the viewer and can best be saved for
DVD release in six months.

 
Brett: 2 Stars
Drew: 2 Stars



‘Barney’s Version’ (2011)

21 Mar

Richard J. Lewis’ dramedy  “Barney’s Version” chronicles the highs and lows of the adulthood of larger than life Jewish Canadian Barney Panofsky. Barney (Paul Giamatti) is a slipshod, lazy, and abrasive man whose appearance resembles the Pillsbury Dough boy with a bad wig; and yet from the opening scene he’s won you over. His refreshing honesty and Dr. House-like acerbic wit are a winning combo that translates into empathy and satisfaction from the audience.

The film interweaves between past and present to recount Barney’s three failed marriages and the eventful (to put it mildly)interactions he has with family and friends. Barney’s first marriage was to an unstable self-loathing Jew (Rachel Lefevre) who he was guilted into marrying because of the out-of-wedlock baby that was on the way. However, to say the least, the marriage didn’t have the legs to keep kicking any longer than the blink of an eye.

After that train wreck Barney moved on to his second Mrs. Panofsky, a prototypical Jewish Canadian Princess who is played brilliantly by Minnie Driver. While watching this marriage one can’t help but think that they are viewing the second coming of Lenny and Lila from “The Heartbreak Kid”.  In typical Lenny Cantrow fashion, Barney doesn’t take very long to realize that he made a huge mistake in marrying the second Mrs. P. However, instead of waiting until the honeymoon to meet his new dream girl like Lenny does, Barney gets that calling at his wedding reception. When Barney’s eyes come across Miriam (Rosamund Pike) in her sultry blue dress, it’s almost as if time stands still as he comes to the realization that she’s the one for him.  And so Barney being the brash gentlemen that he is, wastes no time and begins his pursuit of Miriam before his wedding is even over. Barney pursues Miriam with the same youthful exuberance and determination that Max Fischer (“Rushmore”) displayed when he set his sights on Miss Cross. Unlike Max Fischer though, who was never able to win Miss Cross’ affections, Barney is eventually successful in his dogged pursuit of Miriam and in spite of Barney’s Homer Simpson-like tendencies, the marriage remarkably lasts for many years, but ultimately Barney’s numerous character deficiencies and indiscretions lead to the couple’s undoing.

The movie serves up a smorgasbord of emotions that makes you feellike you are on one of those pendulum rides in an amusement park. At times you’ll be uncontrollably bursting out in laughter and at other times you’ll be doing everything you can to hold back the tears. This is due in large part to the high quality performances by the entire cast. The script of this film is nothing to write home about. This story has been told many times before, but the compelling acting is the film’s driving force.

Paul Giamatti gives an Oscar-worthy performance and his loveable loser underdog shtick shines through yet again.  He really makes the audience believe that a hapless schlub like Barney Panofsky could get a beautiful woman like Miriam to fall in love with him. In addition to this, in the later scenes when it has become clear that his senility has begun to get the best of him you can’t help but inexplicably feel compassion for this rude and selfish man. Not to be outdone is Dustin Hoffman,whose portrayal as Barney’s loose cannon ex-cop father is nothing short of hilarious. His over the top antics can only be rivaled by Mark Wahlberg’s academy award winning turn as Staff Sgt. Dignam.‬
 
Brett: 4.5 Stars
Drew: 4.5 Stars

“Blue Valentine” (2010)

24 Feb

“Families are always rising and falling in America.” Hawthorne’s words
aptly apply to Dean (Ryan Gosling) and Cindy (Michelle Williams) in
Derek Cianfrance’s “Blue Valentine.” The film is a tempestuous glimpse
into the psychosexual disintegration of a once rock-solid and blissful
union. From the moment Dean laid eyes on Cindy, he knew that he was
meant to be with her. She was his soulmate and nothing was going to
get in the way of them being together. After winning her over with his
unrelenting charm, an impenetrable bond was forged. However,
six years later the relationship had decayed beyond repair. The once
madly in love couple had devolved into two individuals who were nothing
more than strangers to one another. (more…)

“The Mechanic” (2011)

10 Feb

Jason Statham, the poster boy for short, balding men is at it again; George Costanza would be proud. Statham is his usual badass self, this time starring as Arthur Bishop, the silky smooth yet cold-hearted assassin whose every “i” must be dotted and every “t” must be crossed.
Statham’s assassin portrayal lies somewhere between Winston Wolf (Pulp
Fiction) and Anton Chigurh (No Country For Old Men).  Arthur Bishop is a man that is a master at his craft and makes the killing business look easy. However, things get a lot more complicated after Arthur is forced to kill his long-time mentor (Donald Sutherland) and take on the apprenticeship of the deceased’s loose-cannon son (Ben Foster).

(more…)

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